Deadline: March 31, 2016
Dates: July 25-26, 2016
Location: Canterbury Christ Church University, Canterbury, UK
Conference Link; CFP from VICTORIA Listserv
The International Centre for Victorian Women Writers’s five-year project From Brontë to Bloomsbury: Realism, Sensation and the New in Women’s Writing from the 1840s to the 1930s aims to trace and reassess, decade by decade, how women’s writing develops in the cultural context of the 1840s to the 1930s: a transformative period in women’s private, public and literary lives. Including the work of canonical authors such as Charlotte Brontë and Virginia Woolf, the project is also significantly concerned with rediscovering and repositioning the lives and work of neglected female authors.
Now in its third year, the project aims to build on the success of conferences in 2014 and 2015 on women’s writing from the 1840s to the 1870s. This cfp therefore seeks proposals for papers that explore the range and vitality of British women’s writing from 1880-1899. Particularly welcome are papers which encourage new perspectives on literary genre, the critical reception of women writers, or canon formation. The 1880s and 1890s marked a shift in women’s writing with the death of George Eliot in 1880 and the emergence of politically engaged New Woman writers such as Sarah Grand and Mona Caird as well as bestselling popular authors such as Marie Corelli. These decades brought a new generation into conflict with more conservative writers including Ouida and Eliza Lynn Linton, both of whom had made their name in the 1860s. With the collapse of the three decker in the last years of the century, women writers were able to refashion the traditional form of fiction for their own uses.
300 word abstracts and a 100-150 word biographical note should be sent to the organising committee (Dr Susan Civale, Professor Adrienne Gavin, Alyson Hunt and Professor Carolyn Oulton) at ICVWW@canterbury.ac.uk by 31 March 2016.